Endorphin v.1.1
Endorphin is no universal talent either.
It is a specialist for complex sources like a mixdown, after having made minor sonic adjustments and right before burning the track to CD.
Furthermore, it can help to increase depth, definition and loudness of a track.
I call it an ‘analog-style’ compressor: endorphin uses models like frequency-dependent nonlinear operation, different harmonics creation stages as well as two basic compressor circuits taken from the analog realm.